Tourist Info Desk

Welcome to Fernweh, a blog concerning the (mis)adventures of one Fulbrighter during a year spent in Europe teaching English.
If you'd like to know what's going on, please see the welcome message here.
If you're wondering what the book reviews are about, I direct your attention to the reading list/classic lit challenge here.
Thanks for stopping by. I look forward to hearing from you!

Sunday, November 7, 2010

The Iberian Adventure: Spain, Part I

[UPDATE: Pictures now posted in my Picasa album!]

But first...an apology.

It was recently brought to my attention that it's now been a month since I've written anything on this blog. I'm very sorry to the three or four of you who actually read it. I'd like to say I've been busy, but that would be so much of an exaggeration to be untrue. Since my return from Spain, I've certainly been more busy with many new classes, but I still have quite a bit of free time. I'm beginning to think that it's inevitable.

I've mainly been delayed by the fact that I wrote drafts of both Barcelona and Madrid, which have subsequently mysteriously disappeared. (Update: found the part on Barcelona!) So, I'm going to try to catch up by giving you, quite belatedly, the exciting story of our adventure in the Iberian peninsula. It may take me a few installments, but I'm going to try, okay?

DAY ONE
Our adventure began on Tuesday, October 12th, when we left the Wohnheim with our backpacks to catch the train to Altenburg. The weather was cold, drizzly, and grey, and we were desperately hoping for better on the other end of our flight. First, we had to wait for a few hours for the bus to the airport, so we did some shopping in a half-awake little shopping mall to pass the time.

The airport was typically tiny--like someone had set up a check-in desk and a couple of X-ray machines in an oversized shed--and we settled down to, once again, wait, talking sporadically with a nice German girl heading back to Barcelona for her half-year study abroad. From her report, she wasn't too impressed with Spain; she complained about the Spanish midday siesta and their supposed inability to take anything seriously or do anything urgently. Personally, that sounds good to me.

Our plane was supposed to leave just before 6pm, but by then, the plane hadn't even arrived. When it finally did arrive, and they had disembarked, cleaned it, and let us on, we were already quite late. We settled into our seats and waited. Finally, the captain came on the intercom to tell us that would be able to start the engines in about 40 minutes. After about half an hour more waiting, we were informed that due to "problems" (i.e. strikes) in France, we would not be allowed to enter French airspace and were looking at a delay of about three and a half hours. It was now dark outside, and we were getting hungry and thirsty, but apparently they aren't allowed to serve any food or drinks until in the air, so we sat there and waited. And waited. And waited.

Like a miracle, at about 9pm, our captain informed us that we could take off. We taxied to the runway, and I saw the rows of lights stretching away into the darkness, pointing our path into the sky. And we sat there, not moving, just waiting, as I rocked back and forth, clutching my half-dead copy of A Tale of Two Cities and doing my best impatient-Jeremy-Clarkson impression: "Let's go! Come on, come on!"

The whine of the engines built to a roar--the most wonderful sound I've ever heard--and we accelerated into the sky. Two hours later, we arrived in Barcelona in wind and rain, only to stagger onto a bus for the next two hours into the city. At the station in town, I was suddenly confronted by a problem that my sleep-deprived brain could hardly surmount: a cabbie asking me, in Spanish, where I wanted to go. I told him the name of the hostel, and when that didn't work, tried to tell him where it was, failing entirely to remember the words for "intersection" and "nineteen." I showed him the address, and we finally arrived, tottered in, got our keys, and wandered off to bed.

DAY TWO
We began our exploration of the city with a walk down Las Ramblas--a wide, tree-line boulevard connecting the newer Eixample neighborhood with the harbor. Apparently, in the summer Las Ramblas is swarming with tourists, pickpockets, and those annoying living statues people, but for us it was quiet and mostly empty. Partway down, we turned off down some narrower, twisting streets to arrive at the scaffold-bedecked cathedral.

I've said before that churches, no matter where they are, are oasises of cool peacefulness amid noise, heat, and stress. The Spanish churches are a bit different, though; walking in, the clamor of the street is replaced by the familiar comforting murmur of prayerful awe, but instead of coolness, these churches are full of warmth. And the smell! The first church we dropped by, off the Ramblas, was scented by the rich aroma of warm wax from the prayer candles burning in each chapel. When I smell the sweet, musty perfume of old books, I think of knowledge and learning; wet stone and moss smell of age; but warm wax smells of holiness.

Unfortunately, the cathedral has done away with real candles and replaced them with frankly pathetic electric ones, and the peace was disrupted by construction noise, but that didn't make the tall pillars and magnificent arches any less beautiful. Also striking was the tomb of a young girl, who was tortured and martyred by the Romans for her faith. She's now the patron saint of the church, and her ornate tomb lies under the high altar. I can't help but wonder what she would think to see all that pomp and honor for her. Of course, the church also can't pass up the opportunity to make some money: to turn on the lights to see the tomb, you have to slide in a coin.

The best bit about the cathedral was, by far, the cloister, enclosing a small garden, a fountain dedicated to (and sporting a very small statue of) Saint George, and thirteen white geese. While the cathedral, while beautiful, felt a bit kitschy (I mean, paying to turn on the lights? And electric candles? Really?) the cloister was full of that cool serenity that characterizes churches.

We dropped by the Deacon's House, now the Archives, for the a look at their pretty courtyard and enormous palm tree (which had to be tied to the surrounding building to stay upright) before going to seek some lunch. We rejoined the Ramblas and followed it the rest of the way to the harbor, where we sat by the water to eat. On the way, we passed the Colombus monument, topped by the man himself pointing out to sea. It doesn't cross my consciousness too often that Colombus was Spanish. Huh.

After lunch (and a quick chat with a nice old Dutch couple), we headed back up into the city through the Barri Gotic and made our way to the Picasso museum. Factoid of the day I didn't know: Picasso actually could paint well. Like, real, recognizable faces and landscapes which, although unremarkable to me, look quite nice. The museum focused on his early years (i.e. before he went all four-year-old-on-LSD-y) and by golly, the man could actually paint. This just made it all the more ridiculous and horrifying to see the hideously deformed block-people he began to paint instead for no obvious reason. Did the "making sense and having good taste" gland in his brain just spontaneously crawl out of his ear in boredom after the thousandth sketch of countryside rooftops? I like to imagine, though, that the conversation went like this:
"Hey, Picasso my man, whatcha paintin'?"
"Oh, I'm doing a reinterpretation of Las Meninas, widely regarded to be one of the best paintings of all time."
"Uh...are you sure? I'm pretty sure most people's eyes aren't stacked on top of each other. Where would the nose go?"
"...Under the ear. Obviously."
"What ear?"
"Oh, well, in this case her ear's actually on her forehead. And purple."
"That's ridiculous and possibly insane."
"Well, luckily for me, apparently the art scene is so desperate for innovation that 'ridiculous' and 'genius' are indistinguishable..."
(Except all this would be in Spanish. Obviously. And, er, apologies to people who understand/appreciate Picasso...)

All that this proves, I'm sure, is that I'm just not sophisticated enough to appreciate Picasso's genius. To which I guess I have to say, um, yes, and if sophistication means liking Picasso's wonky doodles, then no thanks.

To recover from the museum, we took a break in another warm, wax-scented church, then headed to the concert hall, designed by a guy named Gaudi. From what I can tell, Gaudi designed half of absolutely everything in Barcelona (churches, concert halls, parks, lampposts, etc), but this is okay with me because his style, although definitely odd, is kind of fantastically intriguing. Anyway, we scored some cheapish tickets for a concert that night, so we dashed off for a quick dinner of tapas and wine before returning for the music. The two-part concert was very nice--the piano/violin combo was better than the woodwind/brass quintet, I thought--but the concert hall itself was the main attraction, designed with fanciful sculptures and unlikely colors, along with the odd random Pegasus. After the concert, we made our way back to our hostel via another coffee shop, where I had my 4th coffee of the day. Mmm, the coffee is just delightful...

DAY THREE
I was awoken by Bethany, my human alarm clock, and we eventually headed out. (I hate mornings.) We began at La Bouqueria market, a riot of colorful fruit, twitching crustaceans, and assorted animal parts. We strolled through the aisles, sipping fruit drinks, before heading for the Metro.

We stepped blinking into the sun to behold before us a fantastical display of Jesus and genius gone mad. La Sagrada Familia (the Sacred Family) is a church, covered in scaffolding and presided over by watchful cranes, but not for renovation: begun over 100 years ago, the church is still being built. Designed, like everything in Barcelona, by Gaudi, the building looks like someone built the most exuberant, mind-bogglingly intricate exposition of Christianity--including all symbolic animals and people from the Bible--out of wax, then left it outside too long in the Mediterranean sun. Far from solemn, but somehow possessed of a sort of wacky, melty dignity, it's nothing if not striking.

We entered through one of the side door, featuring a much more subdued portrayal of Jesus' life than the Nativity Door's lavish effervescence, paid our 10 euro (?!) to get in, and wandered around. The interior is mostly barren except for the construction equipment, but somehow the fact that the cherry-pickers look tiny next to the enormous stone forest of tree-pillars holding up the half-finished roof doesn't hurt the church's awe factor at all. I can't wait to see what this place will look like finished, if they finish it in my lifetime! For now, I have to be content with those beautiful pastel stone trees, bathed in the soft light that the rainbow-tinted windows allow to enter. What a brilliant church!

Regretably, we had to keep going, so we left La Sagrada Familia behind and strolled through the city, stopping briefly for lunch, on our way to a park that Gaudi had also designed (surprise!). The park afforded lovely views of the city stretching down to the sea, and we got to see the adorable mosaic lizard guarding the entrance to the park. We dropped by the bookshop and then, as we were both getting very hungry, we decided to head back into town.

We found a good restaurant and took a break with some good food and sangria. My feet had been aching for a while, so it was wonderful to sit back and rest...until I found that my wallet was missing. Damn. Anyway, we then walked back through the Eixample to our hostel, since we'd have an early day the next day on our way to Madrid...

TO BE CONTINUED

No comments:

Post a Comment